Nikon D5300 Lens Filter Size

In this article, we will be taking a look at what we feel are the best UV filters for Nikon d5300 cameras currently available on the market right now. With more and more people starting to pick up a UV filter to help protect the front element of their lens it is no surprise we are seeing a steadily increasing number of people reaching out for advice on what filter they should be using. One thing that we would like to point out is that the size of the filter thread you will be using for your Nikon d5300 lens actually depends on your lens, not your camera! If you are using one of the standard kit lenses then chances are you need a 52mm filter thread but always double check this before ordering your filter. Usually, you will be able to see the filter thread of the lens in the user manual, around the end of the lens or on the lens hood. In this day and age, you can also simply google what size filter thread you need for your lens and find out that way. In this article, we will be focusing on brands of filters that you should be looking into.

• Nikon D5300 Lens Filter Size Guide
• Nikon D5300 Lens Filter Size
• Nikon D5300 Lens Filter Size Comparison

This photograph shows an expensive lens fitted with a cheap UV filter after an accident. As you can see, the element on the lens filter is destroyed but the front element of the lens under the filter is perfectly safe. The Gobe UV Schott 16-Layer Multi-Resistant Coated Ultra Violet Filter In our opinion, the best UV filter for Nikon d5300 camera lenses currently available on the market right now comes from Gobe with their. Now before going any further, we just want to point out that the three peak range from Gobe is their premium tier of lens filters so it does cost a little more while still being very budget friendly.

They do have cheaper versions of their that cut some of the functionality to help reduce the price but for the rest of this article, we will be focusing on their three peak version. Over the last few years, Gobe has seen almost exponential growth in the lens filter market due to their innovative technologies allowing them to produce better filters than the competition at a lower price. This has seen their user base almost explode recently with their product, especially their within the photography community. When looking for a filter for any lens, not just a filter for Nikon lenses we would always recommend Gobe as your first stop. Their three peak range comes with their unique sixteen multi-layer technology that not only increases the robustness of the filter element allowing it to take more hits and protect your lens element better but it also offers some other benefits. For example, their layering technology helps to naturally wick water droplets off the lens filter as well as repel dust.

Nikon D5300 Lens Filter Size Guide

This helps to keep the filter element clear while taking photographs or recording footage without having any effect on your image quality at all. The glass element in the three peak Gobe lens filter is also made from the highest possible quality German Schott glass that further increases the robustness of the lens. Not only is this one of, if not the best glass type currently available on the market but it also very easy to clean when required.

It offers a totally clear filter element that will have no effect on the image quality of your photographs or footage. The Magnalium frame on the filter is also extremely strong while being low profile as well as very light allowing you to add the filters to your photography kit without needing to take up much space or weight too. The Gobe UV filter range is available in the following filter thread sizes almost guaranteeing that you are able to find something to fit your lens filter thread size for your Nikon D5300 Camera:-. 37mm. 39mm. 40.5mm.

43mm. 46mm.

Nikon Digital SLR Camera D5300 Specifications. Image size (pixels). Autofocus is not available with other type G and D lenses, AF lenses (IX NIKKOR. D-Lighting, Red-eye correction, Trim, Monochrome, Filter effects, Color balance,. Oct 17, 2013 - Built-in Wi-Fi AND GPS, but is this enough for the Nikon D5300 to beat its. Nikon D5300 sports a newly developed 24.2MP sensor without an AA filter. Compact and lightweight size; 18-140mm kit lens performs well for its. Protect your camera lens with Nikon's DSLR lens accessories. Shop today for a wide variety of camera lens caps, lens filters, and other accessories.

49mm. 52mm.

55mm. 58mm. 62mm. 67mm. 72mm.

77mm. 82mm. 86mm. 95mm All in all, we feel that the Gobe UV filters are an excellent addition to your photography filter kit, they offer excellent quality and functionality for a very fair price.

If you are on a strict budget then Gobe also offer budget ranges as explained above allowing a photographer or videographer of any budget to be able to pick up their filters. The Tiffen UV Protection Filter Next up on our list of UV lens filters that you can use on your lens with a Nikon D5300 is the. Although we feel that Gobes UV filters are better, we do like Tiffen as they are one of the lens filter brands that have managed to stand the test of time and maintain their position as one of the better lens filter manufacturers on the market. As they are a much older company than Gobe, they also have a massive following of both photographers and videographers who use their filters for their lenses. Their UV filter has tons of that you can read if you like to get a better overview of peoples experiences with the product. Although the Tiffen UV filter range would be our second choice with Gobe being first, it will still do the job of protecting your camera lens of choice that you choose to use with your Nikon D5300. They also have both a budget and premium range for their UV filters to allow people on very strict low budgets to also pick up their filters but we find Gobes range to usually be more cost efficient these days anyway.

All in all, the Tiffen UV filters can make a nice addition to your Nikon D5300 camera accessories and help extend the life of your lens of choice by protecting the front element of your lens. Related Articles Post navigation.

Whether you're thinking about getting a Nikon DSLR, you've just got one or are a long time user, there's a wealth of accessories out there to help transform your photography. That's not to say you can't use it straight out of the box with the bundled 18-55mm kit lens, but to take full advantage of your Nikon DSLR, you'll want to invest in some new lenses and other photo accessories. While there's no getting away from the fact that some gear can be pretty pricey, you can build up the system as you go, allowing you to prioritise what's important and what you need first. With so much kit and accessories out there though, it can be hard to know where to start, which is where we come in. We've picked out some of the key Nikon accessories you'll need or want to get you started. Best Nikon accessories in 2018 1.

Standard prime: Nikon AF-S 35mm f/1.8G DX. No Vibration Reduction The ‘kit’ lenses that are bundled with many cameras as standard are typically for getting you started, but not necessarily the best options to allow you to get more creative. Much of this is down to their maximum aperture, which limits how well you can use them in low light and also how shallow depth of field appears in images. Prime lenses only have one focal length, and this makes it easier to design them with a wider aperture while keeping them compact.

Better still, those with a more moderate focal length aren’t all that expensive, such as this option from Nikon. On a DX format DSLR, such as the and, the lens will provide an effective focal length that’s just a shade longer than a 50mm lens used on a full-frame camera. That’s a hugely versatile focal length, one that particularly suits head-and-shoulders portraits, but versatile enough for nature, close-ups and travel. You can also use it on an FX format DSLR such as a too, although only a reduced resolution.

A better option would be something like the Tamron SP 35mm f/1.8 Di VC USD. Telephoto zoom: Nikon AF-S 70-200mm f/4G ED VR. Not tack sharp in mid-range The next lens you’ll probably want to add to your collection is a telephoto zoom.

Not only are these perfect for action and wildlife photography, they’re also great for picking out details in landscapes and shooting tightly cropped portraits or candids. While pros tend to favour the 70-200mm f/2.8 telephoto zoom, they’re heavy and expensive, while there are an abundance of lighter (and much more affordable) 70-300mm zooms available as well. If you can stretch your budget a little bit more, our pick would be Nikon's 70-200mm f/4G ED VR. More compact and lightweight than a 70-200mm f/2.8, you won't need to worry much about camera shake, either, thanks to a particularly well implemented VR (Vibration Reduction) system that also features automatic panning detection. Wide-angle zoom: Tamron 10-24mm f/3.5-4.5 Di II VC HLD. Not the cheapest of its kind You’ve probably found that your Nikon 18-55mm ‘kit’ lens is pretty wide, but not quite wide enough for some subjects.

An ultra wide-angle zoom lens can offer a field of view almost be twice as wide, making it perfect for cramped interiors, big city landmarks, sweeping landscapes and surreal close-ups. Our pick would be Tamron’s 10-24mm f/3.5-4.5 Di II VC HLD, but it’s worth remembering that this lens is only compatible with APS-C cameras, so if you’re planning to upgrade to a full-frame camera later you’ll have to trade this lens in as well. Flashgun: Nikon Speedlight SB-700. Cheaper, more powerful options The built-in flash on your camera is fine for the odd bit of fill-in flash, but it isn’t powerful enough to do much more than that, which is why you need a dedicated flashgun (or Speedlight, as Nikon calls its own models). Not only do they have much more power than a built-in flash, the head can be tilted and swivelled to change the quality of the light – for example you can bounce the flash off walls and ceilings for a much more flattering look. Entry-level flashguns tend to lack LCD screens and control over their positioning, while flagship options tend to have a feature-set that’s overkill for most people needs. Fortunately, a mid-range option like the SB-700 can be had for a price that’s closer to the former than the latter.

Compatible with both FX and DX format DSLRs, the SB-700 combines a very respectable guide number of 38m (at ISO 100) with coverage between the 24-120mm focal range. Together with its ability to be tilted and swivelled, and the large LCD screen on the back for easy control adjustment, it’s as fine an option for everyday portraits as it is for more demanding situations such as weddings and other events. Flash modifier: Lastolite Ezybox Speed-Lite 2. Larger rivals may be more suitable Whether you're going to shoot with you flashgun on your Nikon DSLR or positioned remotely, a naked flashgun can deliver some unflattering, harsh light. What you want then is a compact flash modifier that will diffuse the light. There's an array of options out there, but the Lastotlie Ezybox Speed-Lite 2 is a mini flat-pack softbox that fits on the front of your flash to soften the light nicely, before easily collapsing down to pack away into your camera bag. Protective filters: Hoya HMC UV filter.

Lens hoods can protect front element Despite the advent of digital, lens filters still have their place, and none more so than the humble Skylight or UV filter, such as Hoya's HMC UV filter. Completely clear in appearance, these have no affect on the final image, but the name of the game here is to protect the front element of your lens. Rather than being lumbered with a hefty repair bill if you scratch or break the front of your lens, it’s much better to let a Skylight filter take the hit. Because the front element of lenses are different sizes, you’ll need to make sure you get the right size – you’ll often find this marked in mm around the front of the lens, or on the inside of your lens cap. Creative filters: Lee Filters DSLR Starter Kit.

Separate adapter ring required Balancing the exposure between a bright sky and a darker foreground can be tricky, particularly in landscapes and sunrise/sunset shots. You can try and recover shadow and/or highlight detail in Photoshop or Lightroom, but you can get much better results in-camera with a traditional optical graduated neutral density (ND) filter. Because you need to move the filter up and down to adjust the transition from clear to dark, the square filter system is the only real option for ND grads, and our pick is from the brand favoured by professionals, the Lee Digital SLR Starter Kit.You get a 100mm filter holder (although you'll have to get an adaptor ring for your lens separately), a 2-stop hard grad for darkening skies, and a 2-stop neutral density filter to enable you to use slower shutter speeds, for example to blur movement in water and clouds. Tripod: Manfrotto MT190XPRO3. Payload might not support all kit While you may not want to shoot with a tripod all the time (although some photographers never do anything else), a stable set of legs is an essential item of photographic kit. It’s all too easy, however, to be tempted to go for one of the cheapest models you see – after all, how different can one set of legs be to another? You’d be surprised.

Nikon D5300 Lens Filter Size

Dirt-cheap tripods are cheap for a reason – they’re often very flimsy, with quite a bit of flex, making them essentially useless. Spend a bit more and you’ll get something much more durable and stable. You can spend even more and get carbon fibre models, which are just as strong but lighter, while there are also specialist tripods for travel and macro photography. For a good balance between weight, size and price you’re not going to go far wrong with the Manfrotto MT190XPRO3.

It offers decent load-bearing capacity and a more than adequate maximum working height, while the centre column can also be positioned horizontally for low-angle shooting. Tripod head: Manfrotto MHXPRO-3W.

Not quite as compact as ball heads Some tripods come with their own heads, which can be convenient if you’re not too fussy and have a budget for a complete kit in mind, but if you have an idea of what you’ll mainly be shooting, you may wish to chose your own head. The two most common options are pan-and-tilt and ball heads. The former option is great for fine control, while the latter option is better for portability, as it tends to have small knobs rather than control arms that stick out from the main unit. This option from Manfrotto combines the benefits of both designs.

Nikon D5300 Lens Filter Size Comparison

Its arms allow for precise position, but being retractable means they can be pushed into the unit to make carrying and storage more convenient. It’s also designed with three bubble levels and has a sturdy aluminium build to match the legs above. Camera bag: Domke F-803. Limited capacity Once you've accumulated all this camera kit, you're going to need something to pack it all into to keep it safe when you're out and about. Camera bags come in all shapes and sizes - backpacks are great for transporting a lot of kit as they distribute the weight over two shoulders, but can be a pain when you want to access kit quickly.

A shoulder bag is perfect if you've got a few items that you'll want easy access too and the F-803 from Domke is a great option. This lovely shoulder bag is made from a weather-resistant durable cotton canvas that can hold a decent amount of kit - perfect for pounding the streets if you don’t want to call attention to yourself.